forty-two: december 2004
12.31.2004 friday
The Dharma Bums by Jack Kerouac
Why is it so everlasting entertaining to follow "Ray" (Jack) and "Japhy" (Gary Snyder) around through their lightly seriously poignant playground of wine, meditation, mountainclimbing, and the lust / celibacy dilemma? Is it that peculiar Kerouackian dialogue? Ersatz Zen lessons? Bottoms up, anyway.
-Erika
12.30.2004 thursday
Angels and Demons by Dan Brown
Before The DaVinci Code, Brown wrote about CERN and Vatican City. One plot governs both books.
Excessive, unconvincing plot twists cannot distract from descriptions of Muslim lust for pale flesh.
Only imbeciles are entertained by, only bigots are tolerant of this book.
-Marc
12.29.2004 wednesday
Toast by Nigel Slater
A clever conceit: Slater, now a chef, tells of his boyhood through the prism
of the (generally awful) meals he ate. While it never quite transcends its
structural limitations, it remains a rather sweet, if awkward, take on
memory and childhood longing.
-Timothy
12.27.2004 monday
Cosmo Doogood’s Urban Almanac
Imitating the style of the better-known almanacs, Cosmo Doogood’s Urban Almanac brings a greater awareness of “nature” to the city, but it also marks the anniversaries and celebrations of the neo-natural, urban landscape. Inspires me as reader to mark my own time.
-Jen
12.26.2004 sunday
Hunger by Elise Blackwell
This book may be very good. J.M. Coetzee endorses it, and he’s not one to throw words around. I haven’t read any books this week. Not entire books. Just two issues of The Nation and one of the Times Literary Supplement. Feh.
-Diana
12.22.2004 wednesday
Greenvoe by George Mackay Brown
Brown's first novel examines the difficulty of using prose to infiltrate
individual consciousness. He here uses many of the tropes of overlapping
consciousness and intertwined history and myth which he later developed more
fully; while not always fully realised, still quite lovely.
-Timothy
12.21.2004 tuesday
Mine: The One That Enters the Stories by Clark Coolidge
But I haven't finished it yet. In the relative legibility of black-and-white, an account of the process of account. "Mine" is "my own" or "everything-goes-in". Product is permeable to the reader's divided attention. Time is always running out.
-Erika
12.20.2004 monday
Forbidden Knowledge: From Prometheus to Pornography by
Roger Shattuck
A collection of essays on the ethics and morals of humanity as they butt
heads with expanding limitations on knowledge, this book I read in
nonsequential chapters, mostly for aesthetic reasons. My favorite chapter
discussed abstinence and sublimation as crucibles for pleasure.
-Eve
12.19.2004 sunday
Carrington by Gretchen Holbrook Gerzina
“The life that inspired the major motion picture,” blares the book-jacket. The book’s more forgiving than the film, less moralizing. It’s about how the postal system nourished the institution of romantic friendship. How a group-marriage was built on benign, or sublime, dissensus.
-Diana
12.18.2004 saturday
Stiff by Mary Roach
Don’t know what to do with your body after death? This
book offers dozens of viable options, presented with
biting, laugh-out-loud humor. I want to be composted
and help trees to grow. Beats being a practice head in
a plastic surgery lab.
-Becky
12.17.2004 friday
The Curious Incident of the Dog in the Night-Time by
Mark Haddon
The transparent plot twists keep this from being a
mystery story. It is, however, an interesting look at
a deteriorating marriage, as seen through the eyes of
the couple’s autistic teenaged son. Marketed to
adults, but belongs on schools’ reading lists
everywhere.
-Becky
12.15.2004 wednesday
Poetry, Language, Thought by Martin Heidegger
The fourfold of earth, sky, gods and mortals, the way language speaks and
bridges create their banks, the need to dwell poetically, the worlding of
the world itself: Heidegger turns to Rilke and Holderlin and creates a
lovely sort of mystical word-play.
-Timothy
12.14.2004 tuesday
Shakey: Neil Young’s Biography
by Jimmy McDonough
Apotheosis makes people crazy. Young handled rock stardom better than many.
He kept personal and artistic integrity by always being willing to walk away
-- no matter the cost to others.
Plus lurid tales of idiocy and excess -- and model trains!
-Brian
12.13.2004 monday
Proof of Silhouettes by Sheila E Murphy
A voice’s place in a choir is shifting, time is and is not an agent of change, all these languages make it necessary. Sheila E. Murphy’s intelligent, sensitive movements between voices, places, vocabularies are not different positions but different degrees of presence.
-Jen
12.12.2004 sunday
The Great Bagarozy by Helmut Krausser
Satan (or is he?) seeks therapy, recounts struggle for Maria Callas’s soul. This Satan does rather little damage. I guess that Krausser’s postmodern point (what’s a devil to do after the death of God?), but I longed for Bulgakov’s lively, havoc-wreaking Satan.
-Diana
12.11.2004 saturday
no bird on yr arm by Donna Kuhn
http://www.tmpoetry.com
Even if you're annoyed by Prince / Pound shortenings of "the little words," if yr a sucker 4 a bird poem or u like "tawdry" lyricism on occasion, check Donna Kuhn for surprising and beautiful lines set among Supercuts and
chicken cutlets.
-Catherine
12.10.2004 friday
Season of Oak Galls by Amy Trussell
http://www.tmpoetry.com/
Jazz and voodoo-inflected lyrics risk the mawkish and vague, but sometimes flash and dance to life. "Angel Floor Water" ends the book with an ars poetica. A tumble of words, "place parts with broom dove grass down moon / offering roots feast...."
-Catherine
12.9.2004 thursday
Small Weathers by Merrill Gilfillan
Gilfillan is no language poet; yet, through sheer compression, his diction at times approaches nonsense, or an alternate sense, within which the delighted reader adheres to soundplay and fingers startling gems from forgotten chests of language--yet is firmly and literally grounded.
-Erika
12.8.2004 wednesday
Housekeeping by Marilynne Robinson
Hyper-poetic, extraordinarily sad, this is a novel where plot is subservient
to landscaped moods. Has a great deal to say about how we are shaped by
family and community, often in phrases so beautiful that you can't help but
linger over them.
-Timothy
12.7.2004 tuesday
India’s Bandit Queen: The True Story of Phoolan Devi
By Mala Sen
The Goddess of Flowers born by the River of Revenge. The story of the most
famous of female dacoits, a hero and a terror through Uttar Pradesh in the
1980s. Those who are beneath the law may end by going beyond it.
-Brian
12.6.2004 monday
The Little Sister by Raymond Chandler
At the insistence of a mousy girl from Manhattan, Kansas, private dick
Philip Marlowe dusts off his cynicism to investigate the dual identities
of toupee’d flophouse residents, icy actresses, a mobster with a solid
alibi, and a corn-fed, bible-reading prodigal son.
-Miriam
12.5.2004 sunday
Elizabeth Costello by J.M. Coetzee
"Novels cannot think," writes a narrator of Elizabeth Costello. This novel thinks; it struggles against what a novel must include (scenes, incidents, characters). Its novelist-protagonist struggles against literature's being asked to do what it cannot, must not: profess. Oscillates between refusal, surrender.
-Diana
12.4.2004 saturday
The Da Vinci Code by Dan Brown
Regarding both the book and the mystery: an exciting premise fraught with glaring errors, imperceptible to the uninitiated. Spy novel format precludes illustrations. Anagrams abound. Clever readers may stay one step ahead of characters. Illuminati are cleverer than this. Really, we are.
-Marc
12.3.2004 friday
Invisible Cities by Italo Calvino
Dreamy, but a bit repetitive, the brief stories woven for ancient emperor
Kubla Khan by youngster Marco Polo paint an empire of fantastic, endless
cities that appear thematic: desire, time, symbol. The emperor deduces
rightly that they are all the same city.
-Eve
Polyverse by Lee Ann Brown
She puts on costumes: collaborator, "Dickinson", soundwitch, Steinian derivative filtered through a latter location. Watch Lee Ann play dress-up (and she is girly!) Yet here she is, too: lover, Southerner, mentee, a person who writes. Brown (University)'s GCB makes an appearance.
-Erika
12.2.2004 thursday
We Are All Around Us by Amy King
http://www.blazevox.org/weareall.pdf
These lyrics torque like "new sentences" but remain personal poems using
noun-heavy imagery to capture emotional states that narrative relationship
lyrics always capture: "... let me / stroke her stomach for the internal
events, / ... a peach softly opens into pear...."
-Catherine
12.1.2004 wednesday
O Pioneers! by Willa Cather
Begins and ends in sentiment, but in the middle there is something strange
and familiar about love and the impossibility of tragedy in America, but
only sadness. Not the moral tale it appears to be, nor entirely cohesive,
but sometimes quite beautiful.
-Timothy
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